Saturday, March 12, 2011
Saturday, February 26, 2011
People are asking how can I see it in Arizona, Texas, Florida. The answer is that you who have seen it need to tell friends in cities where the film is open, TO GO THIS WEEKEND!
If you've seen the film please tell friends, share links, share the event on Facebook, e-mail friends, write a review on imdb.com, yahoo.com, fandango.com or any site in your city!
You can also get an e-flyer for the film off of our website to forward to friends.
Here is a clip from Even the Rain. In the film within a film, Sebastian, played by Gael Garcia Bernal, is holding an open casting call to find extras for the film. Because they are shooting cheaply in Bolivia they are using Quechua indigenous people instead of the Taino people of the Caribbean that Columbus encountered in real life. This is one of the ironies that screenwriter Paul Laverty (The Wind that Shakes the Barley, Bread and Roses) infuses into the script which juxtaposes the abuses of the Spanish conquistadors 500 years ago with the exploitation that continues today.
Thursday, February 24, 2011
Monday, February 21, 2011
The Awards Honor Outstanding Films and Artists of Conscience and Consciousness
Los Angeles, Feb. 21, 2011 – A Spanish film about a peoples power uprising in Bolivia has swept the James Agee Cinema Circle’s fourth annual “Progie” Awards for Best Progressive Films and Filmmakers of 2010. Upon receiving word Even The Rain screenwriter Paul Laverty declared: “I like the sound of best Anti-Fascist film very much!! I'll take that to the grave with pride… I must tell all our compañeros in Cochabamba too... sure they will feel honored.”
The James Agee Cinema Circle is a new international, independent umbrella group of lefty film critics, reviewers, scholars and historians dedicated to raising public awareness about films dealing with political, social and cultural issues such as: Human rights, workers’ struggles, women’s rights, environmentalism, ethnic rights, free speech, gay rights, civil liberties, immigrant rights, people’s activism and peace. The JACC annually presents The Progies to the year’s Best Progressive studio features, indies, documentaries and artists. The Progies are the “un-Oscar”, the “people’s alternative Academy Awards,” honoring movies and talents of conscience and consciousness.
2010’s Progie Award winners reflect the protest and strike wave stretching from Tunisia to Wisconsin, including: Even The Rain’s 4 Progies include The Trumbo for Best Progressive Picture; Naomi Watts won the Karen Morley Best Progressive Actress Progie for Fair Game; the Matt Damon Iraq War drama The Green Zone won the Renoir for Best Anti-War Progie; The Wall Street expose Inside Job won the Dziga for Best Progressive Documentary Progie; the British feminist strike drama Made In Dagenham earned the Our Daily Bread Progie for best progressive working class portrayal; Jean-Luc Godard won the Sergei Progie for Best Progressive Lifetime Achievement, while his latest work Film Socialisme received the Langlois Progie for Best Progressive Film Deserving U.S. Theatrical Release. The Fighter’s Mark Wahlberg and Casino Jack’s Kevin Spacey tied in the Garfield Best Progressive Actor category.
Below is a complete list of all of the 2010 Progies winners, followed by the nominees in every category. Each Progie is awarded in a category named after a great cinema artist or film that made a contribution to movies that inspire, enlighten and entertain audiences.
Ed Rampell, author of Progressive Hollywood, A People’s Film History of the United States, and other members of the James Agee Cinema Circle are available for comment and interviews with the press.
THE TRUMBO: The Progie Award for BEST PROGRESSIVE PICTURE is named after Oscar-winning screenwriter Dalton Trumbo, a member of the Hollywood Ten, who was imprisoned for his beliefs and refusing to inform. Trumbo helped break the Blacklist when he received screen credit for “Spartacus” and “Exodus” in 1960.
Winner: Even The Rain
Social Network, Casino Jack, Made In Dagenham
THE GARFIELD: The Progie Award for BEST ACTOR in a progressive picture is named after John Garfield, who rose from the proletarian theatre to star in progressive pictures such as “Gentleman's Agreement” and “Force of Evil,” only to run afoul of the Hollywood Blacklist.
Winners: Mark Wahlberg, The Fighter and Kevin Spacey, Casino Jack
Other nominees: James Franco, Howl, Geoffrey Rush, The King’s Speech
KAREN MORLEY AWARD: The Progie Award for BEST ACTRESS in a film portraying women in a progressive picture is named for Karen Morley, co-star of 1932’s “Scarface” and 1934’s “Our Daily Bread.” Morley was driven out of Hollywood in the 1930s for her leftist views, but maintained her militant political activism for the rest of her life, running for New York’s Lieutenant Governor on the American Labor Party ticket in 1954. She passed away in 2003, unrepentant to the end, at the age of 93.
Winner: Naomi Watts, Fair Game
Other nominees: Sally Hawkins, Made In Dagenham
THE RENOIR: The Progie Award for BEST ANTI-WAR FILM is named after the great French filmmaker Jean Renoir, who directed the 1937 anti-militarism masterpiece “Grand Illusion.”
Winner: The Green Zone
Other nominees: Route Irish (scripted by Paul Laverty), Miral
THE GILLO: The Progie Award for BEST PROGRESSIVE FOREIGN FILM is named after the Italian director Gillo Pontecorvo, who lensed the 1960s classics “The Battle of Algiers” and “Burn!”
Winner: Even The Rain
other nominees: Tears Of Gaza
THE DZIGA: The Progie Award for BEST PROGRESSIVE DOCUMENTARY is named after the Soviet filmmaker Dziga Vertov, who directed 1920s nonfiction films such as the “Kino Pravda” (“Film Truth”) series and “The Man With the Movie Camera.”
Winner: Inside Job
Other nominees: Client 9, South Of The Border
OUR DAILY BREAD AWARD: The Progie Award for the MOST POSITIVE AND INSPIRING WORKING CLASS SCREEN IMAGE is named after King Vidor’s 1934 classic about an American collective farm, which starred Karen Morley and was produced by Charlie Chaplin.
Winner: Made In Dagenham
Even The Rain, The Fighter
THE ROBESON: The Progie Award for the BEST PORTRAYAL OF PEOPLE OF COLOR that shatters cinema stereotypes, in light of their historically demeaning depictions onscreen. It is named after courageous performing legend, Paul Robeson, who starred in 1936’s “Song of Freedom” and 1940’s “The Proud Valley,” and narrated 1942’s “Native Land.”
Winner: Even The Rain
Other nominees: Night Catches Us, Miral, Guy And Madeline On A Park Bench, Frankie & Alice
THE SERGEI: The Progie Award for LIFETIME PROGRESSIVE ACHIEVEMENT ON- OR OFFSCREEN is named after Sergei Eisenstein, the Soviet director of masterpieces such as “Potemkin” and “10 Days That Shook the World.”
Winner: Jean-Luc Godard
Other nominees: Sean Penn, Mike Leigh, Ed Asner
THE BUNUEL: The Progie Award for the MOST SLYLY SUBVERSIVE SATIRICAL CINEMATIC FILM in terms of form, style and content is named after Luis Bunuel, the Spanish surrealist who directed 1929’s “The Andalusian Dog,” 1967’s “Belle de Jour” and 1972’s “The Discreet Charm of the Bourgeoisie.”
Winner: The Social Network
Other nominees: Enter the Void, Hitler in Hollywood
THE PASOLINI: The Progie Award for BEST PRO-GAY RIGHTS film is named after Italian director Pier Paolo Pasolini, who directed 1964's “The Gospel According to St. Matthew” and “The Decameron” and “The Canterbury Tales” in the 1970s.
Winner: The Kids Are Alright
Other nominees: I Love You Philip Morris
THE LAWSON: The Progie Award for BEST ANTI-FASCIST FILM is named after John Howard Lawson, screenwriter of 1938’s anti-Franco “Blockade” and the 1940s anti-nazi films “Four Sons,” “Action in the North Atlantic,” “Sahara” and “Counter-Attack,” and one of the Hollywood Ten.
Winner: Even The Rain
Other nominees: The King’s Speech, Casino Jack, The Last Circus
THE LANGLOIS: For BEST PROGRESSIVE PICTURE DESERVING THEATRICAL RELEASE IN THE US and distribution in other countries and platforms is named after film archivist Henri Langlois, co-founder of Paris’ Cinémathèque.
Winner: Film Socialisme
Amigo, Vlast, Cleveland Versus Wall Street, Nostalgia For The Light, The Housemaid
Sunday, February 20, 2011
Berlin, February 19, 2011
The day after 'Even the Rain' opened in the United States, the film was honored with the Berlin Film Festival Panorama section Audience Award. On behalf of the filmmakers, of 'Even the Rain' screenwriter Paul Laverty issued this statement upon learning that the film won the Audience Award in Berlin:
IT IS A GREAT HONOUR TO RECEIVE THIS PRIZE FROM THE PUBLIC AND WE WOULD LIKE TO THANK THEM ALL FOR THEIR SUPPORT. WE WOULD ALSO LIKE TO THANK THE FESTIVAL FOR THE THEIR HOSPITALITY AND EVERYONE INVOLVED FOR THEIR HARD WORK AND KIN
DNESS TO US.
ABOVE ALL WE WOULD LIKE TO THANK THE PEOPLE OF COCHABAMBA IN BOLIVIA WHO INSPIRED THE STORY. MANY OF THEM FACED TEN YEARS AGO IN THE WATER WARS WHAT HUNDREDS OF THOUSANDS NOW FACE IN THE MIDDLE EAST AND NORTH AFRICA. ORDINARY CITIZENS SICKENED BY CORRUPTION AND POVERTY NOW RISK LIFE AND LIMB FOR BASIC HUMAN RIGHTS. WE SALUTE THEIR COURAGE AND THE HOPE THEY
HOWARD ZINN, THE HISTORIAIN TO WHOM THIS FILM IS DEDICATED, ONCE SAID, "NOT TO BELIEVE IN THE POSSIBILITY OF DRAMATIC CHANGE IS TO FORGET THAT THINGS HAVE CHANGED, NOT ENOUGH OF COURSE, BUT ENOUGH TO SHOW WHAT IS POSSIBLE. WE HAVE BEEN SURPRISED BEFORE IN HISTORY. INDEED, WE CAN DO THE SURPRISING."
PAUL LAVERTY - WRITER
ICIAR BOLLAIN - DIRECTOR
JUAN GORDON - PRODUCER
About the Film:
A Spanish film crew arrives in Bolivia to make a film about Columbus in the New World. Idealistic director Sebastian (Gael García Bernal, The Motorcycle Diaries) wants to denounce the injustices of the past, focusing on exploitation of the indigenous people. Practical producer Costa (Luis Tosar, Cell 211), working on a tight budget, has chosen Bolivia, one of Latin America's poorest countries, to stand in for Santo Domingo because extras will work for only $2 a day.
After an open casting call almost degenerates into a riot, Sebastian hires outspoken Daniel (Juan Carlos Aduviri) to play the rebel Indian leader. But when the locals begin demonstrations against a multinational's plans to privatize water-even the rain-Daniel is in the thick of them, endangering the film's shooting schedule.
The thought-provoking screenplay by frequent Ken Loach collaborator Paul Laverty (The Wind That Shakes the Barley) cunningly parallels the Spanish conquest of the Americas with the modern spread of capitalism. This fascinating mixture of past and present, fiction and fact, features spectacular scenes of the period film within a film. Directed by Icíar Bollaín (Take My Eyes).
How did the Morena Films crew work with the Bolivian community in Cochabamba?
Producer Juan Gordon and director Iciar Bollain explain in this video. View the trailer for Even the Rain.
Read more about the award
Find Even the Rain in a theatre near you.
Tuesday, January 11, 2011
Best Direction (Iciar Bollain pictured below)
Best Original Screenplay
Best Direction of Production
Best Special Effects
Best Supporting Actor (Karra Elejalde)
Best New Actor (Carlos Aduviri)
Best Lead Actor (Luis Tosar pictured below)
Best Makeup and Hair
The photo of Carlos Aduviri as 'Hatuey,' an indigenous Bolvian cast as a 15th century native, shows off some of the hair, make up and costuming that made the historical epic in the film within a film, seem as real as the depictions of native characters in a film like Apocalypto or The New World.
In the film, Carlos Aduviri plays a dual role. His character Daniel, gets a role in a film that is shooting in Cochabamba, Bolvia in the year 2000 when the government sold off the rights to the water to multinational companies that then tried to sell water back to the people at excessive fees. The Daniel character takes an active role in the riots that ensue, fighting for water for his people. In real life, Daniel is not an actor. He is a carpenter, who went to film school and now works in a film school and makes short films. His casting was very similar to the way it is depicted in the film (an open call for extras). The part was written for a very big, strong-looking warrior of a man. Carlos was cast against type for his intensity. Now he is nominated for a Goya Award for his work in the film.
Director Iciar Bollain serves as Vice President of the Spanish Academy for the Motion Picture Industry. 'Tambien La Lluvia" is her fifth film. Her film is also the official Oscar submission from Spain and is competing for one of the five Best Foreign-Language film nominations with 60 other films. The nominees will be announced on January 25, 2011. If she is nominated, Bollain will be the first female director from Spain to be honored in this way. Bollain became attached to the film to direct after Alejandro Innaritu, who started to develop the project, departed to make BIUTIFUL. Now, BIUTIFUL, the Mexican Oscar submission starring popular Spanish actor Javier Bardem is up against Spain's TAMBIEN LA LLUVIA, which stars Mexico's biggest actor, Gael Garcia Bernal. Go figure!
Other multiple nominees at the Goyas are:
BALADA TRISTE DE TROMPETA with 15 nominations, directed by Alex de la Iglesias, PA NEGRE with 14 nominations and BURIED with 10 nominations.
Production Company Morena Films did well last year at the Goyas with CELDA 211 also starring Luis Tosar.
Tambien La Lluvia will be released in the United States on February 18, 2011 by Vitagraph Films.
Read more about Tambien La Lluvia and the water riots on Facebook or our website.
Tuesday, October 12, 2010
Vitagraph Films Acquires All North American Rights for Official Spanish Oscar Submission, TAMBIEN LA LLUVIA (EVEN THE RAIN) From Wild Bunch
An official selection of the 2010 Toronto International Film Festival, TAMBIEN LA LLUVIA is directed by Icíar Bollaín from a screenplay by Paul Laverty (ROUTE IRISH), a frequent Ken Loach collaborator. The film stars Gael Garcia Bernal, Luis Tosar and Carlos Aduviri.
The deal was negotiated on Vitagraph’s behalf by European agent, Guy Amon of the Paris-based Leisure and Multimedia Consulting. LMC has been representing films in France since the early 1980s and works with Munich based TMG/CONCORDE FILM ‘s Dr. Herbert Kloiber and Markus Zimmer on film and television acquisitions for German speaking territories and sales in the French market of TMG's productions.
TAMBIEN LA LLUVIA sets up an intriguing dialogue about Spanish imperialism through incidents taking place some 500 years apart, while examining the personal belief systems of the members of a film crew headed by director Sebastian (Gael Garcia Bernal) and his producer Costa (Luis Tosar) who arrive in Bolivia to make a revisionist film about the conquest of Latin America. Set in February and March of 2000 when real-life protests against the privatization of water rocked the nation, the film reflexively blurs the line between fiction and reality in what Variety calls "a powerful, richly layered indictment of the plight of Latin America's dispossessed." Carlos Aduviri is dynamic as a local who is cast as a 15th century native in the film, but when the make-up and loin cloth come off, he sails into action protesting his community’s deprivation of water at the hands of the government. Meanwhile, Gael Garcia Bernal’s Idealist film director is as relentless as Werner Herzog infamously was in making FITZCARALDO, pushing ahead against all odds, ignoring the prevailing danger about to disrupt at any moment. Despite the devastation emerging around him, Sebastian seems unable to engage with any emotion over than a dogmatic desire to get his film done. And of course, the film also recalls themes in Herzog’s AGUIRRE, THE WRATH OF GOD and the film-within-a-film scenes are as brutal as any in APOCALYPTO.
Founded in 1999, the Los Angeles based Vitagraph Films, LLC is a self contained theatrical and home optical, television distribution entity. Vitagraph currently has the documentary AHEAD OF TIME: The Remarkable Life Story of Ruth Gruber (directed by Bob Richman) in theatres and will open TODAY’s SPECIAL on November 19th. In 2009, Vitagraph Films distributed VALENTINO THE LAST EMPEROR, a documentary on the Italian haute couture fashion designer Valentino and the Academy Award and Golden Globe nominated THE BAADER MEINHOF COMPLEX: The Story of the Red Army Faction, a docudrama based on the West German terrorist group that formed in the late 1960s in opposition to the prevailing post-WWII government. In 2005, Vitagraph Films released Spanish filmmaker Alex de la Iglesias’ EL CRIMEN FERPECTO in the U.S.
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